đ Share this article This Drifting Excrement Was Far Too Symbolic! These Are the TV Disappointments of the Past Year. As we consider the television landscape of the recent year, a selection of series emerge not for their excellence, but for their spectacular shortcomings. Ranging from cringe-inducing sequels to confusingly bad documentaries, here are the productions that had us utterly bewildered or just reaching for the remote. The 'Sex and the City' Sequel Where to begin with this divisive spin-off? Burdened with dreadful writing, painful character development (we demand better for Miranda!), and a mere 71 seconds of fan-favourite Samantha, the show struggled to find its footing. For a moment, as the final series began, it looked like it had at last found its groove. Then came an episode all about Seemaâs natural deodorant. No wonder the showrunner declared this would be the final season. It concluded on a bum note; the lingering shot of Mirandaâs toilet full of poo was simply too symbolic. Still, fans undeniably had a hoot dissecting every single âwtf?â episode. And as Carrie â once again single â twirled around her palatial townhouse to Barry White, who couldn't release a small sob? The Kim Kardashian Drama âIs Kim Kardashian an actress? The answer is a resounding no.â But that was practically the least of this drama's problems. The recipient of a very rare zero star review, it was hard to know where to start listing the flaws. The hilariously leaden writing? The mind-numbing veneration of affluence and consumption? The almost deliberate procession of cliches? Performances so bad they felt borderline spiteful? Letâs just say âeach and every oneâ and forget about this series again. Except, a second season has been commissioned, so weâre likely going to have to. AKA Charlie Sheen Considering the restraining orders, domestic violence allegations and fatherly shortcomings, itâs reasonable to say Charlie Sheen has been a bad boy. Not youâd truly have known it from this multi-part docuseries which smirked its way at Sheenâs various bouts of reckless excess while failing to tell us a single thing we didnât already know. Instead, it felt as if this loose cannon was being pandered to, so any sympathy this show might induce should be reserved for the people who have had to endure proximity with this charming but flippant narcissist. The Iris Affair Naturally we understood it was preposterous from the outset: a drama about a AI known as Charlie Big Potatoes that could either save the world â or destroy all of humanity. We persevered out of sheer admiration for its leads ⌠but by the end, it felt like even they had given up trying. One scarcely reacted when his character died, and the other ended up hacking Charlie with an axe ⌠in painfully slow-motion. That's what you call admitting defeat. The Gangster Drama Shady characters meeting in empty boxing gyms? A certain band's Firestarter jackhammering away in club scenes? The late 90s called and demands its crime drama back. In truth, that is unfair on the gangland dramas of the late 90s. Many seem a bit dated now, but at least they didnât endure the ignominy of having to accommodate unconvincing dialects. But there were many other issues. Primarily that it was just really dull; a conflict over drug-selling territory between various London picaresques which seemed rather simplistic. The Meghan Markle Series Considering the degree to which she grinds the gears of certain ostentatiously angry commentators, itâs temptingly tempting to applaud the Duchess of Sussexâs various forays into quaint lifestyle as deliberate provocations. But then you watch them and are compelled to admit that actually, they may have a point. Itâs like watching a lifestyle catalogue animated; a poster for wine oâclock with delusions of grandeur; a procession of snoozing dogs, buzzing beehives, sentimental sayings and forgettable crafting âhacksâ youâll not remember instantly. All underpinned by immense, mostly unearned wealth. Ugh. The Beckham Documentary There are obviously fascinating things to be said about both Victoria Beckham and her struggles with career, identity, self-acceptance. But for some reason, this documentary series opted not to say them. Rather, the viewing was like consuming a sales catalogue. She clearly has good reason to resent what she describes as her âsternâ image. But unfortunately, she failed to do herself any helps with this cagey non-event of a series. The Inheritance It had the potential to be the next cultural phenomenon â except even camper, with a glamorous star as a deceased benefactor and a sharp-tongued personality overseeing her estate. What more could you ask for? As players battled it out, there was plenty of backstabbing and arguing. But the rules quickly became incomprehensible: itâs even now too complicated to detail what precisely was happening. Even more regrettably, we only saw brief appearances of the star via filmed videos. The series ended up smelling of a programme that was straining desperately to emulate something way beyond it. The Lena Dunham Romcom How do you follow a show that defined a generation? The expectation was enormous for this starry romantic comedy about Jessica, a rosy-eyed New Yorker who lands in London with a shattered romance. The lead actress seized the opportunity by the horns and was a delight to watch, embodying Austen levels of romantic ideals. But it was all very glossy and, paradoxically, was not enough. Plus, the abundance of famous cameos involved felt uncomfortable. Mitchell & Webb Are Not Helping Not even good enough to be âunevenâ. Given the shrewd inclusion of gifted emerging comics, expectations were high. But unhappily, most of it didnât land. A particular sketch was a one-note joke milked to a dry pulp but recurring in every episode. One star seemed too willing to slip into a familiar ranting mode. The writing room sketches, meanwhile, simply inspired the idea that they should probably have remained in there a while longer. The Twisted Tale of Amanda Knox This retelling of the story of Amanda Knox was executive produced by Amanda Knox and pretty much solely showcased the perspective of Amanda Knox. So, while there probably is an compelling drama to be made about the tragic 2007 murder, this was not it. The subject matter needed to be treated sensitively. Instead, the series laboured awkwardly to find the right tone, lurching from oddly breezy, slightly stylised farce to ultimately, real-life horror. Twisted? Arguably. A complete mess? Absolutely. Prime Target We admire the lead actor ⌠but did we believe him playing the greatest maths genius in history, a man so smart heâs on the verge of a breakthrough that could ruin society? Nope! This globe-trotting thriller about secret services spying on â and eliminating â academics frankly got more farcical by the second. Formulaic nonsense. The Bonnie Blue Documentary This uncritical portrait followed the online personality notorious for sexual exploits as she prepared for her most extreme challenge yet. What on earth would motivate her? What we craved was far greater interrogation of her actual psyche, plus those of the men in the line. They could at least have spoken to the legendary mum who showed up to drag her son away from the queue. What we got was horrific shots and zero critical analysis of her infamy whatsoever. It's staggering to consider, the documentary-maker has a young daughter too.